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Courtesy of Greta Brinkman

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Photo by Russ Bryant

Happy New Year from Ocean View Press! Our January spotlight interview is with Greta Brinkman. Greta is a very talented bass player who has worked with an impressive line up of bands and musicians over the years such as L7, Debbie Harry, Unseen Force and most recently, Moby. She was kind enough to do an interview with us a couple of months ago so please enjoy what this lovely and gifted musician had to say to us.
 
Spotlight Interview
January 2004 Happy New Year!
Greta Brinkman- Bassist
By Robert Watts
Photos By Russ Bryant @ http://www.redstarphoto.com
 
 Where are you from originally?
 
First of all, thank you for your interest. I was born in South Africa and lived in Trinidad for a few years, we didn't come to the States 'til I was 7 so I have always traveled a lot!
 
 When did you start playing bass?
 
It was kind of an accident. Someone had left a bass behind in the rooming house where I lived when I was 16, and I just picked it up and started playing along to the Ramones.
 
Did you take lessons or were you self taught?
 
I learned basically by playing along to simple punk rock records, and then joined a simple punk rock band. It was a great time to be a beginning musician because you really didn't have to play very well!
 
 Are there any musicians in your family at all?
 
No, I just always loved music.
 
Do you play any other instuments or are there any instruments that you're interested in learning?
 
I really wish I played guitar, not because I love the sound so much but because it's a way better instrument for writing songs. I dabble in keyboards a little but would never consider myself a keyboardist!
 
 Your right-handed, however, you play your instrument left handed. Is there any specific reason behind that or is it natural ?
 
When I first started in that simple punk band, I knew NOTHING about anything. It seemed logical to me that the fat string should go on the bottom, and I found it easier to finger the neck with my right hand (that first bass was a real piece of crap). As a result, I'm one of about 5 bassists that I know of worldwide to play left-handed upside down. It's completely "wrong" , of course.
 
 Growing up, what bands were you influenced by?
 
I really loved the stuff coming out of England in the late 70's- early 80's. Bands like the Stranglers, Ultravox, and the Cure were hugely exciting to me and I still have a soft spot for rock bands with keyboards.
 
 Could you tell us a little about the first few bands you played in?
 
Oh, now you're going way back! First was a series of punk and HC bands, which was great because I got to learn as I went. Later on I moved to pop bands and even a Bossa-Nova/punk band. My third band, Unseen Force, actually put out an album and did a tour of the States, this was back in the day (1985/6) when you'd pile in the van and stay on people's floors. It was a great time in the American music scene!
 
 In 1994, you played bass on Debbie Harry's solo tour. How did that gig come about?
 
I met Chris Stein (Blondie's guitarist and Debbie's partner for many years) when Unseen Force played in Kansas. Chris was visiting William S. Burroughs, who lived in Kansas at the time. Chris and I stayed friends until 1994 when Debbie needed a bassist for a tour in England.
 
 I've met Debbie Harry and she seems very laid back as opposed to when she is performing live. What is your best memory that comes to mind right now about touring with her?
 
I absolutely love Debbie. Besides being very professional she is very gracious to her fans, and is also hysterically funny . One memory that sticks in my mind from that tour was in England, where they drive on the left, and we had an American van with the steering wheel on the usual American side. One day Deb and I went to the local flea market or something and she drove. She's a very good driver anyway, but I was totally in awe how she navigated the roundabouts from the WRONG side of the van, on the "WRONG" side of the road, while I fed her french fries (they call them "chips" there). There's no big story here, no car crashes or anything, but for me it was a really unique, special moment.
 
 What was your biggest learning experience on that tour?
 
It was quite an eye-opener for me in many ways. I'd never been around someone with such devoted fans and it was really something to see people travel from all over and sleep in their cars to see show after show. Also, up to then I thought of "big time" show business as some kind of magical distant world, but I came to realize that people are much the same at all levels. Everybody gets cranky when they don't eat. Everybody gets tired from touring. Things like that.
 
You played bass on L7 "The beauty process" album, as well as a number of other cool bands like The Nuns on the "God that rules me" album. Was it intimidating in the recording studio with those bands or were you pretty much at ease during the recording process?
 
I was actually quite nervous about the L7 recording for a couple of reasons. There was a serious time constraint, they were already over time at the studio and really needed to get everything done in 2 days. I was playing along to the tracks which were already recorded, so there were no other band members in the room. And this was my first recording on a major label record, with a producer who was very detail-oriented. It turned out OK I guess, but as always, I wish I had had more time.
The NUNS project was the exact opposite. I was playing along to prerecorded tracks again, but this time with a live drummer (the amazing THOMMY PRICE from the Billy Idol band), and it   makes a huge difference when I can actually look at the drummer as we play together. And the atmosphere was a lot more casual, as it was an independent project.
 
 So now after playing music for 18 years, Moby contacts you to tour for his "Play" album. Would you say that this was a big turning point for you? If yes, how so?
 
It was HUGE. The Moby gig had an enormous impact on my life in many ways. For one thing, I got to tour for 17 months nonstop and see many parts of the world I'd only dreamed of. I got to see how things work on a really big level and understand just how much work goes into a major production like that. And most importantly, it got people to take me seriously as a musician. As a direct result of my Moby gig, I now have happy relationships with all my favorite gear companies, and people like yourself ask me questions about my life!
 
 What was supposed to be a six week long tour, turned out to be almost 2 years playing and touring with Moby. He must have been impressed with your work ethic.
 
I gotta tell you, if anybody should be impressed, it's me being impressed with Mo's work ethic. That guy works harder than anyone I've ever known. When the rest of us were too tired to leave our beds he'd be out there making an appearance at the local radio station or record store, it still boggles my mind.
 
 Any future plans to work with Moby again?
 
I would be delighted to work with Mo again, at the moment he's taking a (much-deserved!) hiatus from the road though.
 
 Is there anyone specific that you would like to work with in the future?
 
This may sound cheesy, but I find something to enjoy and learn from with every person or band that I work with. That being said, I like touring and really enjoy the energy of a live rock show, so I would love to be one the road with someone like Queens of the Stone Age or the Melvins.
 
 What type of bass guitars are you using these days?
 
I have a very friendly relationship with the CARVIN company, and they build guitars for me (nothing too ridiculous though, I don't need a different guitar for every song or anything). I like Carvin because it's an American company and the guitars are super comfortable and very light.
 
 What advice would you give to a young musician starting out?
 
Well, first, it's good to be clear about what you're after. If it's your dream to be a studio musician and work with lots of differest people, then it would be good to read music, and you'll need to move to where the action is: NYC or LA or maybe Nashville. On the other hand if it's your dream to be in a band with people from your hometown, then good for you! Just make sure that you have all your agreements in place BEFORE people are offering you deals, because once there's money to fight over things are going to be very different. Very, VERY different.
 
 When you're not playing music, what do you do for fun?
 
After years of wishing I could control my own website (www.bassgoddessgreta.com), lately I've been teaching myself Dreamweaver and a little HTML so I can update my site at a moment's notice. It is SO MUCH FUN and I wish I'd started a long time ago! Now my entire website is all homemade by me and it's a great feeling!
 
 We are based in Boston Ma. , so I have to ask....what is your best memory of our beautiful city?
 
I'm sorry to say I haven't had much chance to really spend time in Boston, the times I have been there were just to play and leave again. But I'm impressed with the amazing music that comes out of there. My favorite album of the millenium, "Oceanic" , came from Boston, it's by a band called ISIS.
 
 We look forward to seeing you on tour again and wish you the best of luck with everything. Any parting words for the readers before we wrap up?
 
Can't think of a thing, I think you covered it all! If anyone has questions or just wants to say hello, I have e-mail on the website. Thanks again for your interest.
 
All the best,
Greta

Courtesy of Greta Brinkman
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Photo By Russ Bryant

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 Spotlight Interview
Christmas stocking stuffer
December 2003
Al-Saadiq Banks/ Author
By Robert Watts
 
Al-Saadiq Banks is the author of " No Exit " and the upcoming book " Block Party ". This was an odd situation. Back in September I was in Bermuda and I accidentally stumbled onto a book in a hole in the wall gift shop on the island. It was a book called " No Exit ". I had read the entire book in 3 days and was completely blown away by the storyline and the intensity that it posessed. When I was back home I emailed the author to tell him how much I enjoyed the book and after a few conversations back and forth I invited him to do an interview with us. Al-Saadiq has a new book coming out in December titled " Block Party " and I'm looking forward to reading my advanced copy soon. We'll have to have him back to talk about that book soon, but for now, here's is the interview on " No Exit " and Al-Saadiq's background. Enjoy.

 
Ocean View Press- Is No Exit the first book that you have written?
Al- Saadiq Banks- Yes
What inspired you to write it ( No exit )?
Several things inspired me to write No Exit.  My main purpose was to show the younger generation the reality of this lifestyle.  I have a 3 year old daughter, a 1 year old nephew, an 11 year old sister and a bunch of little cousins, if I can keep them along with others from making some of the mistakes I made, then it's all good. 
Also I wanted to show society what's really going on in the hood.  I want them to see what makes these kids weak for the game.  I want them to know that everyone that's in the game doesn't necessarily want to be in it.  For example, Tony, the last thing he wanted to be was a drug dealer, but look what happened.  Situations made him do things he really didn't want to do.  All he wanted to do was go to school, but the more money he made, the further away from school he was.  It's an addiction, the more money you make, the more you want to make.

You give the main characters such dept and personality.....are the characters Du, E and Tony completely fictional or are they based on real people that you knew growing up?
There is an E, a Tony, and a Du in every hood. 
 
What character in the story would you say comes closest to describing your personality while growing up?
All three characters were derived from my personality.  I was all of them in one.  Each one of them had a little of me in them. 
 
Now the story is based in Newark, New Jersey....is that where you are from?
Born and raised.  Shout out to the Brix!!!!!
 
How long did it take you to complete work on the book?
It took my entire life.  For a lot of years I lived this book, but it took me about a year to put it in story form. Remember this; a lot of writers write from the outside looking in, I was writing from the inside trying to get out.

 
Did you self publish it or shop it around to publishers?
This book was published through True 2 Life Productions, a newly founded co.
 
I actually came accross the book in Bermuda. That must feel good to know that your work is available outside of the U.S......where is the  wierdest place that you know of that your book is available?
Bermuda is actually the weirdest place that I've heard.  Like I told you previously, when you emailed me and stated that you got the book in Bermuda, that messed me up.  I've never been to Bermuda!

 
This book is definitly a page turner....there is such great intensity in the tone of the story. There is a line where the character Andrea says "Kill him; Ya'll gotta kill him........if you don't kill him, he'll kill me" . What was going through your mind while writing those parts of the story....were there any real life intances that you were drawing upon?
Coming up in the hood I've been in a lot of scary situations, I've seen a lot and I have done a lot, so when writing parts like that I just put my self back in some of my worst situations and relive them; the fear, the pain, the suspense.  There is nothing like looking up in a man's eyes while he's standing over you aiming at your head.  You try to look in his eyes trying to figure him out.  You wish you knew what's going on in his mind.  Is he going to kill me?  Is he going to let me slide?  Why is he taking so long to pull the trigger?  The suspense alone will kill you.

 
Did you get a positive response from people when it was released?
Not at first.  At first No Exit was a joke.  A lot of my associates laughed.....what the f.... is wrong with this n....?   Ain't nobody gone buy that sh..!  But guess what?  People are buying it. 
 
I think that No Exit would make a great movie. Hypothetically speaking, what famous actors could you see playing the lead characters?
Yeah I really do.  First we gotta have Bookeem Woodbine play Reemie, that's my dude.  Probably, Taye Diggs to play Tony, Lawrence Tate for E, and maybe Mekhi Phifer for Du.
 
So tell us about your upcoming book. ( title, release date, is it based in newark again and everything else that you would like to say about it, feel free)
My next book is titled Block Party.  It will be released in December, 2003.  It's not based on Newark.  This one is based on any ghetto in the world.  From hood to hood, state to state it's the same game.
Block Party is actually my favorite.  It has more of everything, more money, more murder, more drama, and most importantly it has more positive messages.  My goal is not to glamourize this lifestyle, but to open people's minds.  A lot of cats don't want to hear what you have to say right now, but when they get behind that wall, bored to death and my book is staring them in the face, they'll pick it up and read it.  Then they'll get the message. 

 
Aside from writing, what else do you do for a living?
Right now this is my full time job.  I just recently closed down a Car Wash/detail shop.  That gave me a lot of extra time to put this project together.
 
What do you do for fun when your taking a break from it all?
To be honest, I really don't have fun.  Right now it's all about work.  Hopefully I can have fun when I get sixty and retired.  Besides, my wife and daughter can't eat fun, you feel me?
 
What type of music do you enjoy?
I love hardcore hip hop, no party music.  However, I am versatile.  I also listen to Jazz.  I've been listening to that ever since I was a teenager. 
 
We are located in Boston. Ever been to our beautiful city? ( if so, when and for what )
Yes, I was there on business about 13 years ago.  I was working for a demolition company as a Laborer.  Our job was to tear down all the Consumers nationwide.
       Yeah, a Laborer, Car Detailing, a Skycap, A Dunkin Donut Porter, A Kentucky Fried Chicken Porter, an Electronic Engineer, a Boxer, and now a writer.  I told you I was versatile.  Seen it all, been through it all.
 
What words of encouragement would you give to first time writers looking to publish a book?
Do you, don't let anyone discourage you.  Just because one person doesn't like your book, doesn't mean the whole world won't.  Everyone caught in the struggle has a story to tell, tell it.  Most importantly stick to subjects you know, so you will be able to write in full detail.  If you don't know the streets, don't write street stories.  You have to make the readers feel you, how are you going to describe something to me, that you don't have a clue about?

 
Who are your favorite authors?
 Actually I don't have a favorite Author.  Believe it or not, I don't even read.  As a child I skimmed through my mother's Donald Goines collection, but that was only to read the sex passages.  Ha Ha Ha.
 
Well, I certainly enjoyed no exit and look forward to reading your new book "Block Party" when it comes out.....are there any parting words you'd like to leave the readers with before we wrap up?
Thanks for the exposure!  I'm really flattered that you found me to be interesting enough to interview me. 
        If there are any writers out there looking for publishing holler!  The company email address is True2lifeproductions@verizon.net  If you have manuscripts for us to check out forward them to
                                       True 2 Life Productions
                                       P.O.Box 8722
                                       Newark N.J. 07108
We are currently working on our website.  Once completed I will email you the information. 

After Block Party I have a few more books ready, but we are looking for other Authors to fall in between.  In the next year and a half we plan  to have 10 titles on the shelves. 
       True 2 Life, roll wit us, or get rolled over!
Peace!!!!!!!!!!!!!!!

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SPOTLIGHT INTERVIEW
DECEMBER 2003
BOBBY BORG-AUTHOR/DRUMMER
By Robert Watts
 
BOBBY BORG IS THE AUTHOR OF " THE MUSICIANS HANDBOOK-A PRACTICAL GUIDE TO UNDERSTANDING THE MUSIC BUSINESS ". THIS BOOK IS A DEFINITE MUST FOR ANY MUSICIAN STARTING OUT IN THE MUSIC BUSINESS OR EVEN THE MOST ACCOMPLISHED OF MUSICIANS.  IT'S ALSO A GREAT READ FOR FANS OF MUSIC WHO ARE INTERESTED IN WHAT GOES ON BEHIND THE SCENES IN THE INDUSTRY.  BOBBY IS THE FORMER DRUMMER FOR THE BAND WARRANT AS WELL AS A GRADUATE FROM BERKLEE COLLEGE OF MUSIC IN BOSTON. BOBBY RECENTLY DID AN INTERVIEW WITH US AND TALKED ABOUT HIS MUSIC CAREER AS WELL AS HIS NEW BOOK. ENJOY.
 
OCEAN VIEW PRESS- HOW MANY YEARS HAVE YOU BEEN PLAYING MUSIC PROFESSIONALLY?
BOBBY BORG- IT HAS TO BE AT LEAST 25 YEARS. I STARTED AT A VERY YOUNG AGE.
 
DO YOU PLAY ANY OTHER INSTRUMENTS BESIDES DRUMS AND IS THERE AN INSTRUMENT THAT YOU WOULD LIKE TO LEARN?
AS A STUDENT AT BERKLEE COLLEGE OF MUSIC, I PLAYED PIANO. MY TEACHERS ALSO HAD ME LEARNING THE MARIMBA AND TYMPANY. I ALSO DABBLE WITH PERCUSSION INSTRUMENTS.  BOTTOM LINE, MY PRINCIPLE INSTRUMENT IS THE DRUMS. I'D LIKE TO LEARN GUITAR THOUGH.
 
DID YOU EVER HAVE ANY CAREER AMBITIONS BESIDES MUSIC GROWING UP?
I WANTED TO BE AN ARCHITECT AND DESIGN HOMES. THAT'S STILL AN ART, RIGHT?
 
WHO WERE SOME OF YOUR MUSICAL INFLUENCES GROWING UP?
BUDDY RICH, GENE KRUPA, JOHN BONHAM, GINGER BAKER TO NAME A FEW.
 
WHAT TYPE OF DRUMS DO YOU PLAY THESE DAYS?
I'M ENDORSED BY PEARL DRUMS.
 
YOU GRADUATED FROM BERKLEE COLLEGE OF MUSIC IN BOSTON. TALK A LITTLE ABOUT HOW IT EDUCATED YOU AS A MUSICIAN AND WOULD YOU RECOMMEND THE SCHOOL TO ASPIRING MUSICIANS?
AS I PREVIOUSLY SUGGESTED, BERKLEE HELPS YOU TO BE MORE OPEN MINDED TO A VARIETY OF OTHER INSTRUMENTS, AND TO MUSIC IN GENERAL. I THINK IT IS IMPORTANT THAT MUSICIANS UNDERSTAND THE THEORY BEHIND THEIR CRAFT, BUT TO ALSO FIND A BALANCE WITH THEIR SOUL. THAT'S THE CHALLENGE.
 
WHAT YEAR DID YOU GRADUATE?
I GRADUATED IN 1988
 
WHAT ARE SOME OF YOUR BEST MEMORIES OF GOING TO SCHOOL IN BOSTON?
RUNNING AROUND THE CHARLES RIVER ON A WARM SUMMER NIGHT, WALKING ON NEWBURY STREET DURING THE CHRISTMAS HOLIDAY AND PLAYING MUSIC UP IN CAMBRIDGE IN CENTRAL SQUARE WITH ALL MY BUDDIES.
 
DO ANY CLUBS COME TO MIND FOR SEEING A GOOD LIVE SHOW IN BOSTON.
I THINK MANY OF THE CLUBS THAT WERE UP AND RUNNING WHEN I WAS THERE ARE GONE NOW. GOSH, EVEN IF THEY WERE STILL THERE, I DON'T REMEMBER THE NAMES ANYMORE. AS YOU KNOW, I'VE DONE A GOOD DEAL OF TOURING SINCE THEN, AND ALL THE VENUES BECOME NEARLY THE SAME.
 
NOW YOU WERE A MEMBER OF THE BANDS BEGGARS AND THIEVES AND LEFT FOR DEAD. WHAT YEARS WERE YOU WITH EACH OF THOSE BANDS AND DO YOU STILL KEEP IN TOUCH WITH ANY OF THE BAND MEMBERS?
I WAS IN BEGGARS AND THIEVES IN EARLY 1989 TO 1991. I WAS IN LEFT FOR DEAD FROM 1991 TO 1994. I'M IN TOUCH OCCASIONALLY WITH A FEW OF THE GUYS.
 
NOW MOST OF THE READERS WILL REMEMBER WARRANT FOR SONGS LIKE "CHERRY PIE" AND "HEAVEN". WHAT THEY MAY NOT KNOW IS THAT YOU JOINED AFTER THOSE SONGS CAME OUT AND RECORDED ON WARRANT'S "BELLY TO BELLY" ALBUM. WERE YOU A FAN OF WARRANT'S OLDER SONGS, AND DID YOU ENJOY PLAYING THEM LIVE AS OPPOSED TO THE SONGS YOU RECORDED WHILE IN THE BAND?
NO, I WAS'NT A BIG FAN OF WARRANT, BUT I RESPECTED THAT THEY WERE GOOD AT WHAT THEY DID. NONETHELESS, I ENJOYED PLAYING THEIR OLDER HITS AS WELL AS THE NEW MATERIAL ON BELLY TO BELLY ALL THE SAME.
 
WHEN WAS YOUR LAST SHOW WITH WARRANT?
I BELIEVE IT WAS AROUND 1998
 
WHAT BANDS ARE YOU CURRENTLY ENJOYING THESE DAYS? ARE YOU A FAN OF ANY NEW MUSIC THATS OUT RIGHT NOW?
I LISTEN TO ABSOLUTELY EVERYTHING. I'VE BEEN LISTENING TO A LOT OF RAP ACTUALLY, STUFF LIKE NASS. YOU KNOW I ALSO LISTEN TO OPERA, CLASSICAL, JAZZ...YOU NAME IT.
 
CAN YOU TALK ABOUT WHY MOST BANDS TODAY DON'T SEEM TO HAVE LONGEVITY IN THE MUSIC INDUSTRY ANYMORE. I.E.-BANDS LIKE AEROSMITH, METALLICA, AND EVEN DAVE MATTHEWS  SEEM TO STAND THE TEST OF TIME, BUT MOST DO NOT. WHAT ADVISE WOULD YOU GIVE TO A BAND STARTING OUT THAT WOULD HELP THEM STAY IN THE GAME LONGER?
IF YOUR QUESTION IS HOW A BAND CAN STAND THE TEST OF TIME IN THE MUSIC BUSINESS, I WOULD SAY IT'S ALL ABOUT WRITING QUALITY SONGS AND NOT BEING AFRAID TO REINVENT THEMSELVES CONTINUALLY. A BAND MUST MAKE IT THEIR GOALS TO WANT TO STAY TOGETHER FOR THE LONG RUN. SERIOUSLY! MANY GREAT BANDS END UP GIVING UP AND PARTING WAYS AS SOON AS THE GOING GETS ROUGH. IS THIS A LIFE COMMITMENT?
 
SPEAKING OF ADVISE, YOU HAVE WRITTEN A BOOK TITLED "THE MUSICIANS HANDBOOK". WHAT MADE YOU DECIDE TO WRITE THIS BOOK?
I HAD DECIDED TO WRITE THE BOOK AFTER SEEING ONE TALENTED MUSICIAN AFTER ANOTHER BECOME SO FRUSTRATED ABOUT THE MUSIC BUSINESS. IT SEEMED THAT THERE WAS JUST NOT AN ASSEMBLED ENOUGH TOOL IN THE MARKETPLACE FOR MUSICIANS TO GET THE BUSINESS END OF THINGS TOGETHER. I FELT THAT THERE WAS A NEED FOR A BOOK WRITTEN BY A MUSICIAN FOR MUSICIANS IN A SIMPLE AND EASY TO UNDERSTAND STYLE.
 
STEVE VAI, MIKE INEZ ( ALICE N CHAINS, OZZY OSBOURNE ) AND THE LATE RANDY CASTILLO ( MOTLEY CRUE ) ARE AMONG THE MANY MUSICIANS THAT HAVE READ YOUR BOOK. CAN YOU TELL US IF ANY OF THEM OWNED UP TO LEARNING ANYTHING NEW AND VALUABLE IN YOUR BOOK?
THEY LIKED THE BOOK BECAUSE IT WAS ONE OF THE FIRST BOOKS ABOUT THE MUSIC BUSINESS THAT SEEMED TO PRESENT COMPLEX ISSUES IN A VERY PRACTICAL STYLE.
 
WILL THERE BE ANY FOLLOW UP WRITING PROJECTS TO LOOK FORWARD TO IN THE FUTURE?
I WROTE THE MUSICIANS HANDBOOK SO THAT ALL THE MUSICIANS OUT THERE PURSUING A CAREER IN MUSIC TODAY WOULD NOT HAVE TO SUFFER THROUGH SOME OF THE SAME HURDLES AS I DID. I'M STILL FOCUSING ON FULFILLING THAT MISSION BY TRYING TO GET PEOPLE FOCUSED ON THE BOOK. A SECOND BOOK WILL COME LATER.
 
WHERE IS THE BOOK AVAILABLE SO OUR READERS CAN CHECK IT OUT?
GO TO http://www.bobbyborg.com AND CLICK ON THE AMAZON LINK. THE BOOK IS ALSO AVAILABLE AT ALL MAJOR BOOK SELLERS. IF YOU DON'T SEE IT, IT'S BECAUSE IT'S SOLD OUT. JUST ASK THE CLERK AND THEY WILL ORDER IT FOR YOU.
 
YOUR A VERY TALENTED MUSICIAN AND AN ASSET TO THE MUSIC INDUSTRY. WE WISH YOU LUCK WITH YOUR ENDEAVORS. WOULD YOU LIKE TO LEAVE THE READERS WITH ANY PARTING WORDS BEFORE WE END THIS?
THANK YOU FOR THE COMPLIMENT. I'D SIMPLY LIKE TO REMIND YOUR READERS THAT THOUGH MUSIC IS AN ART, MAKING A LIVING FROM IT IS A VERY SERIOUS BUSINESS. IF YOU WANT MUSIC TO BE YOUR LIVELIHOOD, YOU MUST TREAT IT AS A BUSINESS OR THE BUSINESS WILL TAKE ADVANTAGE OF YOU. I HOPE YOUR READERS WILL GET A COPY OF THE MUSICIANS HANDBOOK. PLEASE EMAIL ME WHEN YOU GET A COPY AND I WILL BE MORE THAN HAPPY TO OFFER A FREE PHONE CONSULTATION IF YOU HAVE ANY FURTHER QUESTIONS. I'D LIKE TO HEAR FROM YOU. PEACE!
 
 
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SPOTLIGHT INTERVIEW
NOVEMBER 2003
MARTY O'BRIEN - BASS PLAYER
By Robert Watts
 
MARTY O'BRIEN IS A MUSICIAN WITH PLENTY OF EXPERIENCE UNDER HIS BELT. AS A NATIVE OF RHODE ISLAND, THIS YOUNG BASSIST PROVES THAT WITH HARD WORK AND DEDICATION, THAT YOU COULD BE ON YOUR WAY TO SUCCESS IN THE MUSIC INDUSTRY. AFTER PLAYING IN BANDS LIKE KILGORE, DISTURBED AND STATIC-X AND MOST RECENTLY TOMMY LEE, HE CERTAINLY HAS NO SHORTAGE OF BRAGGING RIGHTS AS FAR AS HIS MUSICAL ABILITY GOES. CHECK OUT MARTY'S WEBSITE  AT http://www.marty-obrien.com FOR MORE INFO AND SOME REALLY COOL PICS. WE RECENTLY INTERVIEWED MARTY AND HERE'S WHAT HE HAD TO SAY.
 
 
OCEAN  VIEW PRESS-  WHERE DID YOU GROW UP?
MARTY O'BRIEN-  BORN AND RAISED IN RHODE ISLAND--PROVIDENCE AREA.
 
WHAT LEAD YOU TO WANTING TO LEARN BASS GUITAR?
THE SOUND OF THE BASS JUST APPEALED TO ME SO MUCH MORE THAN ANY OTHER INSTRUMENT. TO ME, THE GUITAR WAS THE ANNOYING TWANGY THING,,AND THE BASS WAS JUST SO SMOOTH AND ROUND. I LOVE THE WAY YOU COULD "FEEL" THE BASS THROUGH YOUR BODY AT A CONCERT.
 
DID YOU TAKE LESSONS OR ARE YOU SELF TAUGHT?
MY DAD BOUGHT ME A BASS WHEN I WAS 12. I TOOK A COUPLE MONTHS OF LESSONS, BUT NOTHING REALLY SEEMED TO SINK IN..I GUESS LEARNING OLD SONGS LIKE "BUFFALO GALS" JUST WAS'NT THAT APPEALING TO ME, SO I ACTUALLY LOST INTEREST AND THE BASS WENT UNDER THE BED, SO MY DAD SOLD IT BACK TO THE GUY HE BOUGHT IT FROM. AROUND THE AGE OF 14 OR 15 I SAVED UP MY OWN MONEY AND BOUGHT ANOTHER BASS AND STARTED OVER, BUT THIS TIME JUST TAUGHT MYSELF, AND THE REST IS HISTORY.
 
DID YOU EVER HAVE CAREER AMBITIONS OTHER THAN PLAYING MUSIC WHILE GROWING UP?
NOT REALLY, I'VE HAD MY MIND SET ON MUSIC FROM THE BEGINNING.
 
WHAT WAS THE FIRST BAND YOU PLAYED WITH AND WHERE WERE THEY FROM?
I PLAYED WITH MANY MANY LOCAL BANDS GROWING UP IN RHODE ISLAND. THE BAND NAMES WERE ALWAYS CHANGING AS WE WERE ALWAYS ROTATING DIFFERENT BAND MEMBERS.
 
YOU EMBARKED ON A MAJOR U.S. AND EUROPEAN TOUR WITH RHODE ISLANDS OWN KILGORE IN 1998 AS WELL AS PLAYING OZZFEST 98 THAT SUMMER. YOU PLAYED ALONGSIDE BANDS LIKE GODSMACK, STAIND, PM5K AND SYSTEM OF A DOWN. DID YOU EVER THINK GROWING UP IN A SMALL STATE LIKE RHODE ISLAND, THAT YOU WOULD ONE DAY BE SHARING THE SAME STAGE WITH POWERHOUSE BANDS LIKE THAT?
NO, I NEVER THOUGHT THAT DAY WOULD ACTUALLY HAPPEN. YOU MENTIONED STAIND AND GODSMACK. THE FUNNY THING ABOUT THAT IS, MY FIRST TWO SHOWS WITH KILGORE HAD STAIND AND GODSMACK OPENING FOR US! THEY WERE BOTH UNSIGNED LOCAL NEW ENGLAND BANDS AT THE TIME. TOURING ON THE OZZFEST WAS JUST AMAZING. I LATER TOURED ON THE OZZFEST 2000 ,AND OZZFEST 2002, ALL 3 TIMES PLAYING IN A DIFFERENT BAND.
 
WHAT WOULD YOU SAY YOUR BIGGEST LEARNING EXPERIENCE ON THAT TOUR WAS?
I LEARNED A LOT FROM THAT TOUR. THAT WAS MY FIRST MAJOR TOUR, SO YOU PICK UP ON EVERY LITTLE THING BY WATCHING HOW ALL THE BIG BANDS OPERATE AS A TOURING UNIT BEHIND THE SCENES. FOR ME PERSONALLY, THAT WAS PRETTY MUCH THE TRAINING CAMP FOR WHAT ELSE WAS TO COME.
 
NOW YOU MOVED TO L.A. IN 2000 AND ALMOST IMMEDIATELY YOU GOT A CALL FROM TOMMY LEE TO JOIN HIS METHODS OF MAYHEM BAND. DID YOU HAVE ANY IDEA THAT HE WAS LOOKING FOR YOU TO JOIN OR WAS IT A COMPLETE SURPRIZE?
WHAT ACTUALLY HAPPENED WAS, I GOT A CALL FROM A FRIEND OF MINE, ( PRINCE'S GUITAR TECH )THAT KNEW PEOPLE ON THEIR CREW. I HAD JUST MOVED TO L.A. THREE WEEKS BEFORE AND MY FRIEND CALLED AND SAID TOMMY LEE WAS HOLDING AUDITIONS. MY FRIEND HAD SUGGESTED TO THEIR CREW THAT THEY GIVE ME A SHOT AT IT. I WENT DOWN THERE AND HAD TO AUDITION AGAINST ABOUT 20-25 OTHER GUYS. THE " SURPRIZE " CAME TWO HOURS LATER WHEN I GOT A PHONE CALL FROM THEM TELLING ME I GOT THE JOB.
 
WHAT WAS YOUR FIRST IMPRESSION OF TOMMY WHEN YOU FIRST MET HIM?
HE'S A WELL MANNERED GUY SO MY FIRST IMPRESSION WAS THAT HE'S A NICE, POLITE GUY. WE'RE FRIENDS NOW...HE'S GREAT. I CAN'T SAY ENOUGH GOOD THINGS ABOUT HIM. DON'T BELIEVE THE BULLSHIT YOU READ OR SEE ON TV.
 
IN 2001, AS LUCK WOULD HAVE IT ( FOR YOU AT LEASE, HA ) YOU GOT THE CHANCE TO TOUR WITH TWO MORE HIGHLY SUCCESSFUL BANDS DUE TO INJURIES WITH THE BASS PLAYERS. EARLY IN THAT YEAR YOU GOT TO FILL IN ON BASS FOR DISTURBED AND IN THE SUMMER YOU GOT TO PLAY WITH STATIC-X. WHAT IS YOUR BEST MEMORY ABOUT PLAYING WITH BOTH OF THEM THAT COMES TO MIND RIGHT NOW?
PLAYING IN DISTURBED WAS GREAT BECAUSE AT THAT TIME, THEY WERE EMBARKING ON A LONG ONE AND A HALF MONTH TOUR OF EUROPE, OPENING FOR MARILYN MANSON. MANSON IS QUITE HUGE OUT THERE, SO WE WERE PLAYING VERY LARGE ARENAS. I HAD TOURED IN EUROPE BEFORE, BUT THIS TIME AROUND IT WAS A LITTLE EXTENSIVE. I GOT TO SEE SOME AMAZING PLACES. ALL THE WAY FROM SOUTHERN ITALY, TO THE FROZEN RIVERS OF HELSINKI FINLAND.THAT ALSO MARKED MY FIRST TIME IN ROME, WHICH IS A MUST SEE FOR EVERYONE.
BOTH STATIC-X AND DISTURBED ARE TWO OF MY FAVORITE BANDS, SO AS YOU CAN IMAGINE, SUDDENLY BEING ASKED TO PLAY IN YOUR FAVORITE BAND IS AN AMAZING THING.
 
IN 2002, YOU WERE BACK WORKING WITH TOMMY LEE FOR HIS "NEVER A DULL MOMENT" ALBUM. YOU GOT THE CHANCE TO CO-WRITE A SONG WITH TOMMY CALLED "HIGHER". HAVE YOU WRITTEN YOUR OWN SONGS IN THE PAST, OR WAS THIS A NEW EXPERIENCE FOR YOU?
I'VE ALWAYS WRITTEN MUSIC, EVER SINCE I STARTED PLAYING. THAT "HIGHER" SONG THAT ENDED UP ON TOMMY'S ALBUM WAS ACTUALLY A SONG IDEA THAT I WROTE BACK IN RHODE ISLAND WHILE STILL LIVING THERE. YEARS LATER, I PLAYED IT FOR TOMMY AND HE AND I COLLABORATED TOGETHER AND FINISHED IT.
 
WILL YOU BE WORKING WITH TOMMY ON HIS NEXT PROJECT? DO YOU GUYS HANG OUT WHEN YOUR NOT TOURING OR RECORDING?
I'M NOT SURE WHAT TOMMY HAS UP HIS SLEEVE NEXT, BUT WHENEVER MY SCHEDULE PERMITS, I WILL ALWAYS BE THERE TO LAY SOME BASS FOR HIM.
 
WHAT DO YOU DO FOR FUN WHEN YOUR NOT PLAYING MUSIC?
WHEN I'M NOT PLAYING MUSIC, I USUALLY GO SEE LIVE MUSIC. L.A./HOLLYWOOD HAS AMAZING SHOWS JUST ABOUT EVERY NIGHT OF THE WEEK.
 
WHERE'S THE BEST CLUB IN RHODE ISLAND TO SEE A LIVE SHOW?
I ONLY GO BACK THERE FOR THE HOLIDAYS,,SO I'M A LITTLE OUT OF THE LOOP ON THAT SUBJECT. BUT THE MET CAFE, LUPO'S AND THE LIVING ROOM WERE ALWAYS THE PLACES TO BE.
 
WHERE'S THE BEST CLUB IN BOSTON TO PLAY OR SEE A LIVE SHOW?
THERE ARE SO MANY! I LOVED MAMA KIN...I PLAYED THERE WITH KILGORE NOT LONG BEFORE IT CLOSED. AVALON IS GREAT, BUT I'VE NEVER PLAYED THERE. (I DON'T THINK? ) AND I MISS THE CHANNEL. I SAW MANY SHOWS THERE AS A KID.
 
WHAT TYPE OF BASS GUITARS ARE YOU PLAYING THESE DAYS?
I USE SCHECTER BASS GUITARS EXCLUSIVELY WHEN I'M NO TOUR.http://www.schecterguitars.com . I HAVE A LOT OF OTHER THOUGH. SOMETIMES I USE MY OLD 61' FENDER P BASS TO RECORD ON RANDOM RECORDING SESSIONS I DO AROUND L.A.
 
WHAT ADVISE WOULD YOU GIVE TO AN UP AND COMING MUSICIAN LOOKING TO MAKE IT IN THE BUISNESS?
PRACTICE PRACTICE PRACTICE!!! THE REASON I AM HERE NOW IS BECAUSE WHILE ALL MY OTHER FRIENDS WERE OFF PLAYING VIDEO GAMES AT HOME, I WAS PRACTICING MY BASS. IF YOU WASTE YOUR YEARS PLAYING VIDEO GAMES, IN THE END, WHAT HAVE YOU ACHEIVED? BEING GOOD AT "NINTENDO"? ALSO, A MAJOR PART OF GETTING GIGS IS NETWORKING. "IT'S ALL IN WHO YOU KNOW" IS VERY TRUE TO SOME DEGREE. GET TO KNOW EVERY SINGLE DAMN PERSON YOU CAN! SWAP E-MAIL ADDRESSES AND KEEP IN TOUCH. SOME SAY IT'S ALL "LUCK". MY DEFINITION OF LUCK IS WHEN PREPARATION MEETS OPPORTUNITY.
 
YOU CERTAINLY ARE A WELL ROUNDED AND TALENTED MUSICIAN. WITH YOUR RESUME' SO FAR, YOU SEEM DESTINED FOR SUCCESS SO GOOD LUCK WITH EVERYTHING IN THE FUTURE. DO YOU HAVE ANY PARTING WORDS FOR THE READERS BEFORE WE WRAP UP?
THANK YOU VERY MUCH! IT'S BEEN FUN. I'D LIKE EVERYONE TO VISIT MY WEBSITE AT http://www.marty-obrien.com
 

MARTY O'BRIEN
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MARTY-OBRIEN.COM

MARTY W/ TOMMY LEE AND NIKKI SIXX
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Spotlight interview
Thanksgiving extra
BL.ONE-Rap/Hip-Hop artist
by Tabitha Swan
 
Thank you for reading our Thanksgiving side dish interview with BL.ONE. We came across this young talent a couple of months ago. He is from Queens New York and he has an album available called "A Queens tale" which is filled with old school beats mixed with new school lyrics. I think we will be hearing much more from this artist in the future, so here's your first hand look at this artist if you hav'nt heard of him before. Enjoy, and a Happy Thanksgiving to you all.
 
 
Ocean View press- Lets start off by having you tell us a little about who you are. ?
BL.ONE- I be that BL .ONE from Killer Queens NYC, half vandalist - half lyricist. Due to the many " Hip Hop" influences in my life from graffiti to B-Boys, and from Mc's to Djay's. All these elements together have made me the MC I am and who knows what will be  ... stick  around !
 How long have you been a performer?-
I've been doing this for so long its past the point of just performing, This  is what I am. Every rhyme that comes out of my mouth is TRUE,  and is from my own eyes and life experiences, not what I heard on the street. So lets just say im old school ...
 
 Where did you grow up?
I grew up in Ridgewood Queens, then I started hanging out in other neighborhoods at a young age like parts of Brooklyn,  Bayside , The Village , Long Island, New Jersey, connecticut, whatever and where ever.
 
 Who are some of your musical influences?
       Of course the old school hip hop like  Run DMC, LL Cool J, Rakim, Big Daddy Kane, KRS, EPMD ,Slick Rick , DeLa Soul, Tribe called Quest. Thats what made me want to do this and have fun and tell my own stories. Then again I respect music in general and all the creative sides to it, so lets say Life has been my biggest influence , not just Hip Hop.
 
 Tell us about your album thats out. Where and when was it recorded and who produced it?
           This album is titled " A Queens Tale ", basically my story growing up in New York all my life. I fortunatelly have been blessed with tracks by my man STE - LO  staig