|
What’s your full name?
Greta Katrina Brinkman, but people
call me Greta B.
Where are you based – city/country?
I’ve been based in New York City for the last decade, but I have
a house in Richmond, Virginia and spend time there as well.
Did you ever perform onstage
as a child? Yes! I took ballet
lessons from a very young age and we used to have the occasional
recital.
At what age did you first
take a bass in your hands?
I think I was probably 17 or 18. I had moved out of my parents’
house at 16 and into a rooming house. Some guy had moved out and
left a really crappy, terrible bass behind. That was the bass I
used for my first couple of bands.
What attracted you to playing
bass? I have just never, ever,
been interested in guitar. I find high frequencies really annoying
and irritating on the ears. When I was young and sneaking into bars
to hear bands, I only ever listened to the bass and drums.
Did you play any other instrument
before you started playing bass?
No, it’s always been bass, bass and only bass.
Are
your parents or relatives involved in music?
Not at all, and I also don’t think I’m inherently musical. I learned
to play bass by practicing a lot, not because I have some kind of
special talent!
Can you remember the first
piece you ever learned on bass?
It had to have been “Blitzkrieg Bop” by the Ramones. Either that
or something off the “Faith/Seventeen Seconds” double album from
the Cure. I taught myself to play with the Cure and the Ramones.
My first band covered the Ramones and Sex Pistols, and a song off
the first U2 album.
|  |
.... |
Are
you self-taught or did you have a tutor/teacher?
I am completely self-taught, which has a downside. I don’t
know jack about music theory, and still don’t read all that
well.
What was your very first
band? We were called
“Wasted Talent” and we did record a cassette album, which
got a decent review in Maximum Rock ‘n’ Roll, an influential
punk magazine from San Francisco. This was back in maybe 1981
or 1982.
What are you doing musically
these days? Unfortunately,
I had SUCH a terrible experience with my last band, Atomizer,
that I’m not so sure I ever want to be in a “real” band again!
After the Moby tour was done I spent all my Moby money and
2 years of my life on the project, only to find out the others
were not at all on the same page with me business-wise! They
had a complete meltdown at the idea of even signing a one-page
partnership agreement, and refused to get in the van and tour
to build a fan base! I wish I had known that before I spent
all my money making the record. It’s really good metal record,
too, and now I have 400 copies in my office. Anybody wants
one, just e-mail
me!
Who else have you played
with? I have played
with about 40 bands, I think, and by that I mean either
did at least one gig with them or recorded with them. Some
standouts are: Debbie Harry Band, Jayne County, Toilet Boys,
L7, Pigface...and Moby, of course.
What’s your main bass?
I play a Carvin LB70,
which I love. The body is swamp ash and the neck is a tung
oil finish that is a dream to play. The whole thing is very
light, too, which is a big help as I do jump around a lot.
Have you a preference for active or passive electronics?
I like active for playing live, and passive for recording.
What type or brand
of strings to you like best?
I love, and have always played, GHS Bass Boomers. I was
so thrilled when I got an endorsement with them and even
appeared as the “spokesmodel” on the back cover of Bass
Player magazine for over 2 years!
|
How
often would you change your strings?
One of the reasons I played GHS in the old days was because they
last a REALLY LONG TIME, and when you’re poor, that’s important.
Nowadays I still only change the strings a couple times a year.
What is your backline bass
amp setup? I have always loved
the Gallien-Krueger 800RB and played one very happily for 15 years
until the diodes inside finally dried out and it started to crackle.
Then I got an endorsement with G-K and they gave me a big ol’ 1001RB
stack to tour with. It sounds amazing, but I still always default
to the 800RB. To me it has just the perfect, classic sound. Clear
without being TOO metallic. G-K also gave me a wonderful Microbass
combo. It’s a tiny little thing that fits in an overhead bin on
a plane, but has 150 watts of power and sounds just like a “grownup”
G-K!
Do you use pedals/effects?
Usually only if I’m recording, because, you know, the more boxes
and cords you have on stage, the more things can go wrong.
Do you play with your fingers,
plectrum or both?I pretty
much only use my fingers. I just don’t like having something between
me and the strings.
Have you played fretless bass?
I have played fretless a couple
times, but mainly as a lark. I never really gave it enough time
and attention to really make it sound right.
Have you played double (upright)
or acoustic bass? No, and
it’s one of the things I really regret that I never learned. I could
have increased my gigs by about 30%, I bet.
How would you best describe
the type of music you mostly play?
I just love hard rock with interesting time signatures, and I’m
really a very good rock bassist. I’m not so good at reggae or jazz,
but rock or pop, I’m your gal!
What bands do you enjoy listening
to? I love Isis, and the Melvins,
and Deep Purple. Also Queens of the Stone Age, Scissorfight, and
I’m really starting to like the new Opeth, even though I’m not usually
a fan of the “thousand Dobermans barking” vocal style. It’s a very
intellectual CD.
Who did you listen to as a
young teenager? I was totally
into Blue Oyster Cult, and even sent away for a B.O.C. official
belt buckle when I was in 10th grade! Later when I started to be
exposed to English music, I was totally into the Stranglers and
Ultravox. I still think Ultravox’s first album is incredible. I
also loved the Gang of Four, and I saw them in 1979 when I took
a trip to London to see what was going on over there. Then I saw
them again last year on the latest tour. How awesome!
Tell us about any music you
have recorded? Let’s see.
Wasted Talent
made a cassette album. 2000
Maniacs made a cassette EP,
that was recently digitized and put on CD. Unseen
Force recorded an album in
1986 but there are only 500 copies in the world, and people are
starting to e-mail and ask about getting CDs or MP3s so I guess
there is still some interest! L7
had me play on their “Beauty Process” album, right after Jennifer
left the band and Gail hadn’t joined yet.
Supla Zoo Was a Punk-rock/Bossa-Nova
band we had in NYC, we recorded an album. I recorded on a
Pigface
song called “Mind Your Own Business”, WHILE I was on tour in Europe!
That was pretty exciting as the technology of laptop recording was
still new to me. I recorded a cover of the PiL song “Seattle” for
a PiL tribute album on Invisible Records. Also A remix of the song
“Peepshow Ghosts” by the Damage Manual, also on Invisible.
Jayne County did an EP here
in NYC that I played bass and sang backing vocals on. Automatic
Slim, a power trio I play
with in NYC, did some recording in the last year, I play bass and
sing on that stuff too.
Tell us about musicians/bands
whom you have shared a stage with or opened for?
I guess the top names would have to be U2 (the Moby band opened
for them in Dublin, as you webmasters might remember!) and David
Bowie (toured with Moby for the Area 2 tour here in the States).
What was your best gig/venue
ever? That would have to be
when Moby opened for U2 at Slane Castle, outside of Dublin. It was
just a perfect day in every way. But I also have many, many fond
memories of playing dingy punk rock squats in the USA and in Europe,
some of those gigs were the most intense moments of my life. One
time I was playing a punk gig in the south of Germany about 1992,
and there is always one REALLY drunk guy in front of the stage singing
along and trying to grab the mike from the singer. This guy was
so drunk that he leaned down and BARFED all over the front of the
stage, then stood back upright, took a swig of his beer, and carried
on singing and trying to grab the mike! Later on a stray dog came
by and licked up the vomit.
| What
was your worst moment onstage?
The Moby band played some awful radio show in either California
or the Midwest of the States. If you don’t know, these shows
are put on by radio stations and a dozen bands get 15 minutes
each. You always get treated like shit, and don’t get paid,
but if you don’t play, guess what happens to your song on
the radio? Anyway, we did many of these shows but this time
we were sandwiched in between two angry white-boy nu-metal
bands, and the crowd HATED Moby. They threw anything they
could get their hands on, including glass bottles. It is
really terrifying to be up onstage with projectiles flying
at you and you have no way to protect yourself or get out
of the way.
Tell us about any
magazine you have been featured in or on the cover? I
have been in Bass Player a few times, once I wrote an article
and once I was featured, and I’ve also done many online
interviews which can be seen here. Also a couple of European
magazines that I’m sorry to say I don’t remember the name
of!
Do you play/own any
other instruments?
I have a little toy keyboard that makes retarded sounds
that I play with once in a while.
What other instrument
would you most like to play?
I’d like to be GOOD AT the little toy keyboard that makes
retarded sounds!
What was the best
concert you were ever at?
Oh, there are so many! The Bad Brains, Deep Purple, H.I.M.,
and back in the day there used to be some AMAZING punk shows:
C.O.C., Die Kreuzen, Butthole Surfers, some local Richmond
bands like Honor Role and White Cross… |
... |
 |
Do
you find singing while playing bass difficult?
It really can be a challenge to sing and play at the same time,
especially if the singing is in different timing than the music.
I once asked Gail Ann Dorsey how on earth she got that vocal line
down on David Bowie’s “Under Pressure”, which she sings live with
him. She told me that she put it on tape and then slowed it WAAAAY
down and played along with it, a little at a time. Eventually she
sped it up a little, then a little more, and soon she could sing
and play at the same time.
Do you write/compose?
Not so much. I am not the genius songwriter, and much prefer to
put a really tasteful or interesting bassline on other people’s
songs. Once in a while when I do write something it usually turns
out to be some kind of soundtracky thing with lots of variations
on a very few riffs.
If
forming your ideal live band, what instruments would you have with
you onstage? One or maybe
2 basses (I have played in a 2-bass band and it can be really interesting),
DEFINITELY keyboards, live drums ,maybe even 2 drummers or a drummer
and a percussionist. Guitars, not necessarily. Most guitarists are
a pain in the ass and who needs all that soloing? And of course
, MORE COWBELL!
Do you see the bass as a solo
instrument? Meh, not so much.
I have seen plenty of talented bass shredders do their solo things
and frankly, I would not buy the CD. Although Steve Lawson and Jonni
Lightfoot are exceptions. Both of them are real sweethearts, too.
If you could be taken to a
concert anywhere on earth tonight, who would you want to see live?
The Melvins, Queens of the Stone Age, Deep Purple, Rage Against
the Machine, Ramones. Oh wait! I’ve already SEEN them! I wish I
would have had the chance to see Led Zeppelin, damn. And I’m sorry
I never saw Soundgarden, too.
What music are you listening
to most these days? Right
this second I’m spending the winter in New Orleans, Louisiana where
it is nice and warm, and there is a lot of work. They have a really
great local radio station called WWOZ that plays all kinds of jazz
from the 30’s as well as all sorts of local stuff. It’s really a
treat, since radio in the NYC area is totally corporate and predictable.
Do you have a pet?
I used to always have a cat or 3 around the house, ever since I
was small. Finally my last cat died and then I met my boyfriend,
who has a dog, so now we have a dog. I still like cats better (but
don’t tell the boyfriend!).
Do you have a day-job or do
you play professionally? A
sad fact of the music business nowadays is that even a “professional”
like I like to consider myself can hardly ever make a living. Out
of probably hundreds of musicians I know, maybe 5 of them are actually
supporting themselves doing it. So I’m very glad to have other skills.
I’m quite a decent carpenter, and also manage and repair my house
and a half in Richmond. It doesn’t bring in a huge amount of money
but in 8 years when the house is paid off I should be able to live
for nearly nothing. I don’t need a lot!
|  |
... |
What
are your hobbies/interests outside of music?
I really enjoy building things, working on my website, and
(gasp!) gardening! Could I BE any more boring?
Give one piece of
“golden” advice to someone who has just bought their first
bass? I have a couple
pieces of advice, actually. If you plan on being a professional
bassist, you really should: A) learn to read music. B) learn
to play standup and C) learn to sing backups. These three
things will triple your chances of getting gigs. Also, when
you’re learning, don’t forget to use your pinky finger on
your fretting hand! It will widen your reach more than you
can imagine.
Have you ever performed
onstage without a bass?
One time I “acted” in one of the skits at a GWAR show. I
got up on stage, grabbed the mike, and told Oderus Urungus
what a sexist pig he was, and then a few of us women-types
“beat him up”. It was really fun. That was in the early
days of GWAR when things were a little less rehearsed.
Apart from USA and
Ireland, what other countries have you played in?
I’ve been so lucky to play in all the Western European countries,
Japan, Australia and New Zealand, Mexico, Canada, Brazil,
but never Africa or Russia.
Where would you most
like your band to play?
Well, I’m not in a band now and I don’t know if I will ever
be in “my” own band again after I had such a horrendous
experience with Atomizer, but any band I was in, I would
selfishly love to play Australia, New Zealand and Ireland
because I love those places, and Germany because I speak
a little bit and have a lot of friends there.
Would you share your
birthdate with us? I
was born on April 5th, the same day as Gregory peck and
Bette Davis, both very hardworking movie stars. Me on the
other hand, am not a movie star… |
What’s
your opinion on basses with more than 4 strings? I
think this question was brilliantly answered by Bassgirl’s own Laurie
Safdie, when she said: "I think they're for
people who can't get over the fact that they can't play guitar,
or they think that everyone wants to hear them be the Malmsteen
of bass. Which by the way, nobody needs to hear." Basically,
to me, if it can’t be played on 4 strings it isn’t rock and doesn’t
really NEED to be played on a bass.
Did you ever have a famous
person in your audience? Bowie,
Bono, Madonna, Taj Mahal, Elton John, Bootsy Colllins, I mean, these
were really Moby’s audiences but I was in his band at the time.
Elton actually sang with us on stage at a House of Blues somewhere.
He was a real pro.
Do
you have any “bassist” jokes to share?
Did you hear about the bassist who locked the keys in the van? It
took her an hour to get the drummer out!
What are your ambitions, musically
and personally? Musically,
I have already had a really great career, and way more success than
I ever hoped to have. I would like to do more recording though,
since most of my playing has been live and I don’t have much to
leave behind. Personally, I would love to travel some more, and
have some kind of job that involves traveling and building things
and being outdoors. I have never been particularly interested in
having kids or getting married.
It's
been a pleasure talking to you Greta. Greta B's website can
be accessed through our Links page. - Ed.
text
and images are copyright of Greta
Brinkman and BassGirls.Com
|